Statement

My work exists at the intersection of technology, time, and consciousness, where everyday objects become carriers of deeper meaning. Through still life and macro photography, I uncover the hidden aesthetics of the mundane, drawing inspiration from science fiction, history, and the visual language of graphic design. These influences aren’t just references—they shape my approach to composition, color, and form, bridging the conceptual with the visual.

At the heart of my work is a belief in techno-optimism: the conviction that technology, when guided by a respect for consciousness, can move humanity forward. This perspective threads through my images, from the surreal beauty of isolated objects to the futuristic edge of experimental compositions.

Creative Process

My creative process is rooted in improvisation—an approach I developed during my years as a guitarist. Riffing, both in music and photography, is how I find my flow. My studio is more than a workspace; it’s a playground for ideas, where objects, light, and composition shift and evolve until something clicks. Some images come to life instantly, while others require days of quiet experimentation, letting the concept marinate until it feels right.

I rarely work with a strict plan, preferring to embrace serendipity. Compositions reveal themselves naturally, balancing intuition with technique. It’s a process of discovery as much as creation.

Influences

My influences span disciplines and eras. The bold aesthetics of posters and album covers have shaped my visual language, teaching me how to create impact with striking compositions and a strong sense of form. The raw minimalism of Damien Hirst taught me the power of clean aesthetics paired with provocative themes. Tyler Shields’ ability to blend glamour with critique resonates in my approach to form and concept. Sonic Youth’s experimental ethos is another touchstone, inspiring me to break rules and embrace improvisation.

But influence is never static. It evolves with every project, every book I read, and every conversation I have about art and life.

Themes

At its core, my photography is a meditation on time, humanity, and memory. Everyday objects—often overlooked—become vessels for reflection. The tension between tradition and modernity, the interplay of light and shadow, and the fragile beauty of fleeting moments are all central to my compositions.

Each piece is a visual diary, capturing what moves me at a given moment. My goal is to evoke emotion and spark curiosity, inviting viewers to pause and look closer. For me, photography isn’t about documenting what’s there—it’s about reimagining it, reframing it, and uncovering the stories hidden within.

Bio

I am a German-American artist working in photography. Born in 1978 in Heidelberg, I grew up as an army brat, moving back and forth between Germany and the U.S. as my family was stationed in different places. This constant movement shaped how I see the world—always observing, always adapting.

In Europe, art was woven into the landscape, while American pop culture spread like wildfire, shaping music, design, and subcultures. Skateboarding was my first deep dive into one of those worlds—a space where music, graphics, and a DIY ethos collided. That led me to the guitar and a 17-year career as a touring and recording musician.

In 2008, I joined Berlin’s Phase7 performing.arts collective, collaborating across disciplines, from software art to choreography. Photography entered my life in 1994, first through film development and later as a tool for music and promotion. Over time, it became an outlet for ideas that didn’t fit anywhere else. When touring ended in 2016, photography gradually took over—until it was all I wanted to do.

By 2018, I committed fully to photography as my primary means of expression. I slowly started exhibiting my work in group shows, and in February 2024, I had the honor of hosting my first solo exhibition. While I consider myself an emerging artist, my work has been gaining attention, and I’m continuing to put it out into the world.